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Death in the Desert
Directed byJosh Evans
Produced byJosh Evans
Written byJohn Steppling
Starring
  • John Palladino
Narrated byMichael Madsen
Music byChris Goss
Edited byEdward D. Wood, Jr.
Distributed byOsiris Entertainment
  • October 9, 2015 (Arizona Underground)
  • March 2016
83 minutes
CountryUnited States
LanguageEnglish

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Death in the Desert is a 2015 American crime-drama film directed and produced by Josh Evans and starring Michael Madsen and Shayla Beesley, with John Palladino, Paz de la Huerta, and Roxy Saint appearing in supporting roles. Principal filming completed in February 2014 in Las Vegas, Nevada.[1] It is the second film collaboration between Madsen and Evans, who produced The Price of Air in which Madsen starred.[2]

Released in March 2016 by Osiris Entertainment, the film is based on the book Death in the Desert by true-crime author Cathy Scott about Ted Binion, a wealthy gambling executive and one of the sons of famed Las Vegas casino magnate Lester Ben 'Benny' Binion, owner of Binion's Horseshoe. The book adaptation was written by screenwriter John Steppling.

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The storyline covers the real-life 1998 death of the younger Binion, a drug addict who had lost his Nevada gaming license, and his live-in girlfriend Sandra Murphy, charged with murdering Binion along with her lover Rick Tabish, who was caught digging up Binion's buried silver.[3]

Reception[edit]

The film first premiered in October 2015 at the Tucson Festival of Films.[4]

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Indiewire wrote, 'Luckily for Madsen fans, the actor looks to be having a complete blast in his most recent film, Death in the Desert.[5]

Vegas Seven Magazine, in its review, wrote, 'Death in the Desert, despite its protagonist’s wealth, rides the downbeat vibe of a back-alley, underbelly Vegas. What emerges is a muted, thoughtful study of disillusionment, dashed dreams and fatal appetites via a relationship that takes root amid the mechanical sensuality of a Downtown strip joint.'[6]

Cast[edit]

  • Michael Madsen as Ray Easler
  • Shayla Beesley as Kim Davis
  • John Palladino as Matt Duvall
  • Paz de la Huerta as Margo
  • Roxy Saint as Cory
  • Julian Brand as Nicky Ramone
  • Kent Christian as Faque Brown
  • Timothy Skyler Dunigan as Rocky
  • Kerry Fezza as Nurse
  • Richard Hotson as Mac Curry
  • Mark Justice as Rudy
  • Allison Lear as Christy
  • Stephen Manley as Cicero
  • Alfonzo McCarther as Merced
  • Eduard Osipov as Pete
  • Joe Palubinsky as Garza
  • Gary Sax as Wesley
  • Brian H. Scott as David Mattsen

References[edit]

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  1. ^''Death in the Desert': Josh Evans Discusses His Latest Film Along With Star Michael Madsen'. The Huffington Post UK. 29 August 2014. Retrieved 21 May 2016.
  2. ^''Price of Air' Filmmaker Trades Personal for Plot'. latimes.
  3. ^Matt Coker (15 February 2016). 'Death in the Desert is the Locally Tinged Story of Ted Binion's Death - OC Weekly'. OC Weekly. Retrieved 21 May 2016.
  4. ^'Arizona Daily Wildcat :: Tucson Festival of Films captures the city's cinematic presence'.
  5. ^Riyad Mamedyarov (19 February 2016). 'Watch: Michael Madsen Tries to Stop His 'Death in the Des - Indiewire'. Indiewire. Retrieved 21 May 2016.
  6. ^'The Hollywood Ballad of Lonnie 'Ted' Binion - Vegas Seven'. Vegas Seven. Retrieved 21 May 2016.

External links[edit]

  • Death in the Desert on IMDb
  • Death in the Desert at Rotten Tomatoes
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Death_in_the_Desert_(film)&oldid=992177892'

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23 Feb 1996
180 minutes

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18

If you like to know where you are with a director, Casino is the movie for you. Placing The Age Of Innocence and Cape Fear to one side for a moment, here we have Scorsese returning to what he knows best, and to the people he loves.

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Co-written with GoodFellas screenwriter Nicholas Pileggi, and starring the usual suspects in the form of Bobby De Niro and Joe Pesci, you also have the warm reassurance of the presence of many of GoodFellas' character actors, grizzled of visage and twitchy of trigger-finger, Scorsese's mum doing a cameo, Elaine and Saul Bass producing the opening credits, and many recognisable directorial flourishes. Even better for Scorsese fans, within 15 minutes Joe Pesci is stamping on some schmuck's head in a bar, screaming obscenities as a bewildered Robert De Niro looks on with that great quizzical expression of his.

GoodFellas Part II? Well, sort of. Scorsese insists this isn't a mob film, and you can see his point. It tells the - slightly embellished - true story of Sam 'Ace' Rothstein (De Niro), a brilliant Mid-West gambler recruited by the wiseguys to run their casino in Vegas, which he proceeds to do with ruthless efficiency. It all sours when his old buddy Nicky Santoro (Pesci in fantastic psycho mode) comes to town and starts throwing his weight around at more or less the same time as Ace makes the one big reckless gamble of his life: persuading sex-bomb hustler Ginger McKenna (Stone) to marry him. This head-strong twosome just add too many maybes into the comfortable set-up, and slowly the easy money-making machine starts to malfunction. Then the baseball bats come out.

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This is De Niro's finest hour certainly since GoodFellas and maybe since The King Of Comedy. Onscreen for nearly the whole three-hour running time, he is chillingly logical about his life at first, slowly descending into panic, frustration and violence as things go wrong. He plays it perfectly from start to finish, as indeed do the entire cast. Sharon Stone is a revelation, Pesci is his usual mesmerising self, and if at times the story drags - with too much voiceover and quasi-documentary - the three of them refuse to let go of your nether regions for a second.

If the violence is even more stomach churning than in GoodFellas (check out Pesci's creative use of a vice) and if Scorsese isn't making huge strides in terms of his filmmaking lexicon, this is still a powerful, disturbing and entirely fascinating examination of a specific time and place, and of the nature of the deals we do - with our employers, with our friends, with our lovers.

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It may not be Scorsese's greatest work, but this guy feeling a little off-colour is still far, far better than most people on fighting-fit form. It only gets more impressive as times goes on.